Glen Rogers: Blossoming The Sacred Feminine

27 may
2 min de lectura

By Aundria McMillan Humphrey

When artist Glen Rogers arrived in San Miguel de Allende in 2016, she felt an immediate recognition—this was where the next chapter of her creative life wanted to unfold. San Miguel’s vibrant arts community, and its unmistakably feminine energy drew her in. “It felt like the spot for me at this moment in time,” she says.

Rogers’ work is rooted in a lifelong devotion to the Sacred Feminine, a path she began in her thirties while living in the San Francisco Bay Area. Books like When God Was a Woman and The Chalice and the Blade “shook me to my core,” she recalls. They inspired pilgrimages to Crete, Paleolithic caves in France, and sacred sites in Ireland. Those revelations shaped her art, teaching, and community leadership.

Rogers’ monoprints and sculptures are rich with symbolic language: the moon as a marker of women’s cycles and intuition; the spiral as renewal; the bird as messenger. These motifs appear across her art, her studio work, and even her Oracle cards—quiet transmissions of ancient wisdom placed back into the world.

In San Miguel, she found not only inspiration but resonance. “It’s a womancentric town,” she says, filled with women in their crone years seeking reinvention, meaning, and connection. Her large-scale event Calling the Circle brought together healers, artists, writers, and seekers for three days of ritual and shared wisdom. From that gathering emerged a smaller monthly women’s circle that continues to this day, offering depth, ceremony, and community. “We’re reconnecting to something ancient,” she says. “It’s dear to my heart.”

Perhaps her greatest offering is the example of a woman fully aligned with her path. “I’m loving where I am in my life right now,” she says. “I’m blossoming.”

Rogers has shown at Tinta y Tiempo, Amarillo 78, La Huipilista Artspace, and México City’s Museo de la Mujer. Her sculpture Aleteo is permanently installed at El Charco del Ingenio.